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Deliver Me

from Deliver Me by Tom Heyman

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    Guitarist Tom Heyman has amassed a pretty hefty résumé as a sideman (Alejandro Escovedo, John Vanderslice, Mark Eitzel) and as a bandmember (Go to Blazes, Marah, Map of Wyoming), but Deliver Me is only his second recording as a solo artist. Released on San Francisco's Jackpine Social Club label, Deliver Me is a woolly mix of folk (à la Tom Rush, Tim Buckley, and Fred Neil), gritty roots rock, blues, and even solid white boy R&B. Heyman has a slew of pals playing on this, including Wilco's John Stirratt, Chuck Prophet, and Eitzel. None of that stuff really matters, though, because Deliver Me stands and falls on its own due to Heyman's abilities as a songwriter and producer (he sat alongside Sean Coleman for this set). Mostly, Deliver Me sounds like a relic, something held over and unearthed from either the folk revival as it entered the 1960s or from the barroom rock era of the late '60s and early '70s. And it is drenched in the feel of San Francisco. It's laid-back, although it carries real tension in some of its song, and it feels good even when the tunes are sad, dour, or angry. The gems here are plentiful. The opener, "Alright," is a folksy country love song that stands tall in its realist optimism and contains a catchall chorus sung by a small backing group amidst the wandering and ringing guitars. The snaky "Monkey Out of Me" has to be a bandstand favorite. It sounds like something off a Tom Waits record from the Heartattack and Vine era. It's a broken love song tempered by a boozy swagger. Heyman is a fine storyteller as well, as evidenced by the rocking folksy blues of "Crazy Ray," the tale of a lost soul who stands out in the crowd because he stands out of time and place and has no idea. The cover of "Milk Cow Blues" feels unnecessary and would have made the record a bit shorter. However, Heyman's read of Ike Turner's "You Got What You Wanted" turns its guttersnipe R&B into something else altogether without losing the original's bite and slow-burning fire. The set closes with "Listen to the Rain," a love song with backbone. It's simple and understated yet masculine and tough. The Wurlitzer growls under the mix as Heyman's blend of guitars and pedal steel slowly unfurls the tune, letting it ease out into the open without artifice or guile. Ultimately, this is a wildly diverse effort. It contains a rainbow of emotions, colors, and hues. Heyman's not the greatest lyricist in the world, but he's growing by leaps and bounds, and his song structures are beguiling and well developed. Deliver Me is a keeper.

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lyrics

When I said I recognized him his smile lit up the car
I turned off the meter we weren’t going all that far
We talked about the old days where the good times go
so fast
Staring out the window at the city flashing past

Delivers me deliver me take me in your arms and
deliver me
Deliver me deliver me lead me not into temptation

He used to play the regal kept a penthouse at the Ritz
I picked him up in Chinatown at the ninth street Motel
Six
We took a ride up Osage and there was nothing out on
Pine
Said there’s a special place the people know my name
We’re gonna go there one more time

Deliver me deliver me take me in your arms and deliver
me
Deliver me deliver me lead me not into temptation

They found him on the sidewalk by the hospital at dawn
They thought that he was sleeping his coat and shoes
were gone
I slid off a barstool with my last drink of the night
Someone said David Ruffin’s dead and I kept my mouth
shut tight

Deliver me deliver me take me in your arms and deliver
me
Deliver me deliver me lead me not into temptation

credits

from Deliver Me, released March 12, 2014
Heyman vocals, electric guitar
Paul Revelli drums
Paul Olguin bass
Dan Eisenberg, Hammond organ
Chris Sipe congas
Jeffrey Luck Lucas, cello,
Ellen Gronningen Viola
Trisha McGovern, Violin
John Stiratt, Tim Bluhm, Dan Carr, Sean
Coleman backup vocals

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Tom Heyman San Francisco, California

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